Sidsel christensen- open gallery
Body and landscape
Sophie Layton
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| Firenze SMN 2012, 570 x 270 mm, Monotype and Photo-etching, ink on paper |
Uses block monoprinted colour to 'evoke feeling' contrasts with the photographic
Inspired by neon but also architectural light - moving through an urban space
http://sophielayton.com/work/graphic/
SPACE
Catrin Huber
Architectural, fictional and imaginative spaces
Works:
- Hall of
Fictional Space
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| https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4GjBsNu4dYkFkBMHIYabPK7e1qsJR6N_bkQwUTqXbRtLm8NJ6FUrANzCiaDe8ImD68f4NVVKzCeztbX-ef85EAqj3MeRqzK1y4Q6_9VDo1j96mfEqmxyDRexrKPU4svWilIFwSa1qykJD/s1600/%2521cid_image001_jpg%254001CBE3D4.jpg |
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| http://www.aptstudios.org/artists/CHub/CHub-Kiosk%20of%20Fictional%20Space_CH_7-72.jpg |
Bronwen Sleigh - exploring architectural/ constructed space. Deconstructing and reconstructing.
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| Manic Cinq, Etching https://cdn.shopify.com/s/files/1/0817/1837/products/Manic-Cinqa.jpg?v=1484282855 |
Julie Mehretu
Janne Malmros - 2D/3D
Gabriel Orozco - Thinking in Circles, B. Fer
MAPS,
DIAGRAMS & PLANS
Christo and Jeanne-Claude
Plans for
works/ unrealized works and grand plans. Often these are more intriguing than the works themselves, and in this case more accessible!
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| http://christojeanneclaude.net/__data/bfae8fe729b9879903ca278dd1e9d8e7.jpg |
Gabriel Orozco- Garden designed for South London Gallery
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| http://www.southlondongallery.org/page/gabriel-orozco-garden |
Piet
Oudolf- Hauser & Wirth (Somerset) Garden design
Victor
Passmore - schemes for Peterlee. OBJECTIVE ABSTRACTION
Capability
Brown
Tania Kovats
Work: Only Blue
LANDSCAPE/NATURE
Victoria
Ahrens
Tania
Kovats
Works: Sea Mark (Tiles on Board)
Works: Sea Mark (Tiles on Board)
Mariele
Neudecker
Victoria
Arney - DISRUPTION
Sara Lee - Woodcuts (too traditional?)
Sara Lee - Woodcuts (too traditional?)
JOURNEY/MOTION/TEMPORALITY
William
Kentridge
Deep
Topographies, Inspiral London (See post in 'Thoughts in Progress')
Tacita
Dean
Victoria
Ahrens
Simon
Faithful
Works: Going
Nowhere
Graham
Gussin
Walk-On
Tris
Vonna Mitchell - Journey as a genre, an art form as well as subject
Walter de
Maria
Chris Ofili - Clifford Chance - diary etchings from time spent in Wales
Chris Ofili - Clifford Chance - diary etchings from time spent in Wales
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| https://s-media-cache-ak0.pinimg.com/564x/b5/f2/29/b5f22984c9c48835e98399fe134a6d87.jpg |
GEOMETRY/PATTERN
Janne
Malmros - 2D/3D
Tania Kovats
Works: Sea
Mark (Tiles on Board)
Liz Miller (see SOUND)
Victoria
Arney (See Landscape)
Tess jaray
Matt mullican
Matt mullican
DRAWING/LINE
William
Kentridge
Tacita
Dean
Walter de
Maria
Richard Wilson
Julie Mehetu
TEXT
Julie Mehetu
TEXT
Robert
Smithson- Finding the Spiral Jetty
Description of finding a site for his sculpture to the process of building it. Text becomes increasingly poetic and descriptive. Text corresponds to photographs. But not illustrative.
Description of finding a site for his sculpture to the process of building it. Text becomes increasingly poetic and descriptive. Text corresponds to photographs. But not illustrative.
The
Sebald/Jaray collaborations - collaboration of text and image
*Link to
my piece (Grwyne Fechan, "Red hyphenated line...")*
William
Kentridge - William Townsend Lecture, October 2016.
In-depth discussion of his process. The performative aspect of drawing.
The lecture/text as physically constructed/de-constructed.
Sense and Non-Sense. Abstracted and yet recognisable elements flash in and out of sight.
GESTURE.
Julian opie- instructions for inatalling 'there are hills in the distance '
In-depth discussion of his process. The performative aspect of drawing.
The lecture/text as physically constructed/de-constructed.
Sense and Non-Sense. Abstracted and yet recognisable elements flash in and out of sight.
GESTURE.
Julian opie- instructions for inatalling 'there are hills in the distance '
SOUND
John Cage: https://www.youtube.com/watch?v=E3xLEo1z8RQ.
PROCESS! -Putting in place rules and parameters and letting chance take over at controlled stages.
Visualisation of 'sound' / music
PROCESS! -Putting in place rules and parameters and letting chance take over at controlled stages.
Visualisation of 'sound' / music
Liz Miller
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| http://www.medway.gov.uk/images/lizmiller-%20debussy2.jpg |
Saw these scored 'performed' at Bearspace Gallery. It seemed problematic that musicians were already familiar with the pieces. Doesn't ambiguous sound have more potential than music?
Veronique
Chance [A Winter Landscape Project, See Video tab]
Tacita Dean - JOURNEY (Trying to find the spiral jetty - research paper)
Tacita Dean - JOURNEY (Trying to find the spiral jetty - research paper)
Katrina
Palmer - AUDIO WALK (Research paper)
Katie
Paterson - Earth-Moon-Earth - Links to Liz Miller, distortion of recognisable classical music. Reliant on the accompanying book to make sense of these sounds.
Janet
Cardiff - Immediacy of Sound, links to Roland Barthes notion that listening roots us in a sense of time and place (Responsibility of Forms)
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COLOUR
David Batchelor (whitechapel document of contemporary art series).Also flatlands
Katherine jones-LUMINOSITY
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