Pages
- Passing Through Non-Place
- Border Landscapes
- centre of a racecourse
- Thoughts in Progress
- Non-Place
- Artist Research
- Catalogue of Sounds
- Videos
- Exhibitions and Talks
- Parliament Island Series
- On a bike to Belgium and back again
- Grwyne Fechan
- Modern Garden Square Living
- Sound Drawings
- Exhibition Journal
- Exhibitions to Visit
- Bibliography
Thursday, 22 September 2016
Wednesday, 21 September 2016
Tuesday, 20 September 2016
Edward Burtynsky Exhibition Sept/October 2016
Salt Pans #25, Little Rann of Kutch, Gujarat, IndiaEdward Burtynsky |
Rock of Ages #4, Abandoned section, Adam-Pirie Quarry, Barre, VermontEdward Burtynsky |
Friday, 16 September 2016
Tuesday, 13 September 2016
The Line
Composition
1960 #10 was one of a series of short succinct scores that Young produced in
the early 1960s, several of which he published in An Anthology. Composition
1960 #10 follows Composition
1960 #9 (1960), which was a short straight line, printed on an index card. For Young,
the form of the line served as the minimal unit of action, or an event, what he
termed the “singular event.” The event for Young was the conceptual apparatus
through which he structured activities over time and in space. The singular
form of the line as event in turn expands into complex possibilities for experience,
in each drawing, each following. Serving
as a formal counterpart to Morris’s and De Maria’s own linear inscriptions
(down the beach or along a pathway), Young’s line linked temporal process to
spatial context: draw a straight line and follow it. His line is a model for a
diversity of experience in a duration of time within a delineated place
determined by material form —an appropriate, if minimal, example of practice
inscribed in a site.
Page 42-43
Toward Site
Jane McFadden
Toward Site
Jane McFadden
Saturday, 27 August 2016
London Summer Intensive: Open Studios
Love this piece- Floor-based, pigments stencilled and manipulated. Using geometry but stripping it of it's structure.
Saturday, 6 August 2016
Josh Bilton: Urban Geology Walk

Came across this project in researching the Isle of Portland and Katrina Palmer for my research paper.Highly influential physical material - Portland Stone. Idea that the landscape that be transported via it's physical material to a new place. Photographic in this sense.
Photographs from walk with Josh Bilton and geologist Ruth Sidall, in Hackney.
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