At last night's private view for @wearesweetart exhibition 'Hand
Maid' @HoxtonArches with my work 'Objects of Femininity'. Show is on
until Wednesday 9 March and catalogue now online:
https://issuu.com/wearesweetart/docs/complete_final
Pages
- Passing Through Non-Place
- Border Landscapes
- centre of a racecourse
- Thoughts in Progress
- Non-Place
- Artist Research
- Catalogue of Sounds
- Videos
- Exhibitions and Talks
- Parliament Island Series
- On a bike to Belgium and back again
- Grwyne Fechan
- Modern Garden Square Living
- Sound Drawings
- Exhibition Journal
- Exhibitions to Visit
- Bibliography
Sunday, 6 March 2016
Tuesday, 1 March 2016
Irregular landscapes
Rhinds varnish screen printed onto steel. Printed with chine colle, and screen printed over the top.
Transgressing borders. Suggestion of a continuation of the landscape, interrupted by a burning lens. The lens/ filter blurs and distorts. Pixels become shading.
Transgressing borders. Suggestion of a continuation of the landscape, interrupted by a burning lens. The lens/ filter blurs and distorts. Pixels become shading.
Saturday, 27 February 2016
Laser Cut Experiments
Trying to create a reflective space through print using the printing plate, the print itself and a corresponding laser cut image. How do these three elements work together?
The luminescent red evokes a sense of light/time/space, reminiscent of the dark room. Draws attention to the photographic but also the biased nature of the lens (circle format), image reduced to its pixels, exposed...
Lasercut Experiments
I began to use laser cut in Parliament Island Variation #1
I experimented with these shapes further to create a varied edition of relief prints. Exploring pattern, directing 'white space', creating pathways, constructing space...
I removed aspects of human interference within the printed landscape mainly where pathways and people occurred. As the image had been manipulated and repeated, the shapes too created a pattern across the landscape. I laser cut corresponding shapes in wood to use for a relief print behind the screen printed image, to show these manmade occurrences as excavations.
I experimented with these shapes further to create a varied edition of relief prints. Exploring pattern, directing 'white space', creating pathways, constructing space...
Thursday, 21 January 2016
demarcated
The Earth as a surface to be mapped (Richard Long: Silbury Hill, 1971)
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