A technical challenge!
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- Passing Through Non-Place
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- centre of a racecourse
- Thoughts in Progress
- Non-Place
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- On a bike to Belgium and back again
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Saturday, 24 June 2017
Saturday, 1 April 2017
GlassGround Project
| http://glassground.com/wp-content/uploads/2014/12/DSCF5614-1280x960.jpg |
Info taken from GlassGround website describing project:
GlassGround is the name given to a rural installation that encompasses a
vast glasshouse and its surrounding landscape. The work enables the
research of the experience of perception within the context of a
contemporary fine art practice. The project encourages a discovery of
physical, sensory and imaginary relationships between nature and the
man-made structures which hasten the visceral immediacy of this
topography. In this terrain, exploratory actions shape an exploratory
journey etched by scenic views, sublime viewpoints and an often fleeting
engagement with fellow travellers. The ground below carries traces of
the land's recent and more distant upheavals. And, all around, umpteen
reflections in glass and in water parachute images of the exterior land
and sky to the space within. Like a giant mechanism for measurement, the
glasshouse's shapes, shadows, lines and forms extend or retract,
dappling the ground as light rises and falls. Images of the mobile
observer's own body mingles with these tempora unfoldings, merging and
coalescing with them, drawing experiences ever nearer to the sensory
processes which invite them in.
http://glassground.com/
Marco Cadiolis.
| Abstract Journeys |
Reminds me of Edward Burtynsky photographs
| Pivot Irrigation Suburb, South of Yuma, Arizona, USA, 2011, E. Burtynsky |
Squares with Concentric Circles, Marco Cadiolis
|
Saturday, 18 February 2017
Experimenting with the 4 colour process in different mediums
Relief, Mono Print, Drypoint, Digital and Screen Printed Experiments
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| Inked up lino plate with masked off areas and chance ink drips over the top. |
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| Relief mono-print with digital print chine colle'd and then screen printed. |
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| Trying to create a sense of both the photographic and original space with relief blends.Playing with ways of incorporating and suggesting the photographic/ how light falls on a surface. |
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| Drypoint test over relief print on somerset paper. Soaked for 20 minutes and printed well. Next step: try on larger scale |
Sunday, 29 January 2017
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